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You don't listen to them, Ami. You're looking pretty fine to me. Now let's just the two of us get better acquainted."He led me away from the walkway, away from the lights, away from Lise waiting in the car. I could feel myself panic. He was taking me to a place where he could easily **** and kill me. There'd be no one around to help me if he decided to hurt me. I'd be completely at his mercy. I pictured the shame of a jogger finding my battered, ****d body the next morning.I wanted to break away from the black man's grasp, but I couldn't make myself do anything but follow him deeper into the park. Where would I run to anyway? I couldn't have made it five feet in my heels before he caught me. Trying to run away would accomplish nothing: it would only make him mad. I could feel the wet grass on my bare toes as we walked. The size and strength and heat of the man beside me was dizzying…"This is it sissy," he said.We'd come to what look like a small clearing in the middle of a stand of. According to the note, the museum found the contents of the journal inappropriate for either display or academic study.The letter ended with a brief but firm postscript that the museum in question wanted to avoid any notoriety that might come with the publication of this journal. Furthermore, with their delivery of the package to its rightful owner, the firm's obligation to any involved party was now ended.The letter raised far more questions than it answered. Who wrote the diary and when? Who donated it to the museum and how were they related to me? What museum would not want an original document from probably the 19th century, and how could a diary possibly be 'inappropriate for either display or study'?The best place to start answering these questions it seemed was in the leather-bound volume laying on my table and with a fair amount of excitement and curiosity I unbuckled the straps and opened the cover.I was struck immediately by the picture of the young woman expertly inked.
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